Artwashing the Archive with Bow Arts

@LBTHArchives have become a politically-motivated & funded propaganda wing for the social cleansing of Tower Hamlets.

James Lander at a screening of Inversion/Reflection:Turning Balfron Tower Inside Out at University of East London, hosted by Alberto Duman, 2015

James Lander, whose PhD was believed to be funded by Bow Arts, looks on longingly at my work, & wishes he had any talent whatsoever.

Meow, right? During this talk Lander claimed to be commissioned by Poplar Harca to create an archive in Balfron Tower.

He later denied it.

😼🙀

A visibly nervous Lander stuttered through his talk, gestured at me suggesting I had failed to negotiate with Bow Arts.

There was no negotiating with Bow Arts.

They’d no interest in art, or community, just money, & they used revenge eviction against me as a 1st resort… Lander came on board the Bow Arts gravy train when he was a property guardian in Balfron Tower.

Simon Terrill engaged him onto the building & Bow Arts took him under their wing, buying themselves a critical voice on the artwash of Balfron Tower… 

The photograph above was taken at a talk hosted by Alberto Duman at University of East London in 2015.

James Lander and Alberto Duman appeared together recently at TACO, in Thamesmead.

https://www.a-n.co.uk/news/assembly-thamesmead-building-communities-developing-collaborations-living-precariously/

It seems that fraud, social cleansing, vicious attacks on working class communities and the theft of Balfron Tower, during which social several long-term social housing residents died, so that their homes could be socially cleansed and sold off as luxury flats, is not enough to stop James Lander and Alberto Duman helping Bow Arts with their artwash programme.

Thamesmead is currently being artwashed & socially cleansed for Peabody. Nobody has ever been held to account for the charity tax fraud, revenge eviction, & sabotage of my residency at UCL.

Financial penalties aren’t enough, & Bow Arts still owe me £4k, taken illegally from my rent & donated to themselves without my permission.

https://www.artsprofessional.co.uk/news/exclusive-artist-squares-regulator-over-manifestly-unreasonable-fundraising-investigation

This thread explains in more detail, but I believe Bow Arts also paid Ruth Solomons, who was at the time soliciting them for money for her PhD.

Solomons name came up repeatedly in Subject Access Requests, questioning any challenge to BAT’s credibility.

Ruth had been bought. 

If you missed @paulageraghty brilliant thread on the integrity of the archive, check it out here…

Which leads me onto my interactions & experience of @LBTHArchives

I went to visit the London Borough of Tower Hamlets Library & archives in 2011, to talk to them about my work in Balfron Tower.

They were friendly & gave me a copy of 9th Floor: a History of Social Housing in Tower Hamlets. I have never had any other interactions with them… If anybody has ever had the misfortune to watch 9th Floor: a History of Social Housing then I am sorry for you.

The film was an incorrectly-titled propaganda film for Bow Arts & their artwash agenda. I knew the director. He was embarrassed by it… 

LBTH Library & Archive were clearly in the grip of Bow Arts propaganda, however bad, and their agenda of artwash & social cleansing.

In the years since, the Tower Hamlets Library & Archive have repeatedly exhibited & promoted all sorts of propaganda being funded by Bow Arts… 

Interspersed with exhibition after exhibition about the radical HISTORY of Tower Hamlets, plus unwavering support for Bow Arts, including artwashing patsy James Lander.

@LBTHArchives have become a politically-motivated & funded propaganda wing for the social cleansing of Tower Hamlets. 

I guess they’re not open to a critique then.

Lol, right?

btw, the Bow Arts propaganda film may have been called 15th floor, or something.

The director lived on the 9th floor of Balfron Tower, so thats what I always called it that. 

Rab Harling

Balfron Social Club

Poplar, 21st November 2019

This thread originated on Twitter. Thanks to @threadreader for the unroll.

The original thread can be found here: https://twitter.com/RabHarling/status/1196851487412019200

We are “all to blame” for the gentrification of Balfron Tower, claims Dr. Owen Hatherley.

I thoroughly agree that Owen Hatherley, and many of his ethically-challenged self-entitled chums, are certainly to blame for the gentrification of Balfron Tower, and also for the overall dismantlement of social housing in the United Kingdom in general, during a housing crisis.

But they are not the people that have to live with the consequences of what they support, or apologise for; they are not displaced from their communities, they have not been thrown out of their homes so they can be sold off to rich people who have come into Poplar and brutally attacked our working class community, following Poplar Harca’s CEO Steve Strides proclamation of “doing God’s work in Poplar” to create “a new Shoreditch”, brutally displacing working class communities and demolishing our social housing, dismantling the social tenancy system to build part-ownership models, financially out of the reach of almost everybody in our community, whilst their advertising hoardings boast of “affordable” housing that is being delivered in such small numbers it cannot be considered anything more than tokenism. Most of these people do not even live in the communities that they are waging class war against.

Nobody ever voted for Poplar Harca to operate as a local authority, yet they operate in this exact way. Nobody ever voted for them to operate or control parks, schools, markets, housing, transport, police, pubs, arts centres, community centres or to brand their name across every school child in Poplar.

Welcome to socialism in 21st Century Britain.

A few social housing tenants and leaseholders did get to vote for Poplar Harca, in a ballot transfer many years ago, where billions of pounds of publicly-owned housing stock was transferred, mostly free of charge, to a “Housing Association and Regeneration Communities Association”, who then mortgaged our entire community, via Bernadette Conroy, a Poplar Harca board member and a Vice President of HSBC, all with full liability firmly placed upon the Tower Hamlets tax payer.

But these tenants were lied to, they voted for Poplar Harca because they were told that they would be given new windows, new kitchens and new bathrooms. They were not told the truth that they would be brutally and ruthlessly thrown out of Balfron Tower, or their estate demolished and their family displaced, so Poplar Harca could do sleazy deals with sleazy property developers, like Londonewcastle.

I wrote a short thread on twitter, exploring some more of the people who are “all to blame”, read not to blame, for the social cleansing of Balfron Tower, from the blatant eugenics-like hatred of the working classes from Arts Council England funded Bow Arts, to apologists for social cleansing such as Anna Minton of the University of East London and Owen Hatherley.

We are not “all to blame” for the social cleansing of Balfron Tower. But a lot of people are; from property developers, journalists, politicians (all Labour), artists, arts organisations, Arts Council England, Historic England, National Trust, British Council, University of East London and University of the Arts, amongst many others.

It is not now, nor will it ever be acceptable to invest in, or live, in a regenerated Balfron Tower that has 0% social housing. The experiment in privatising our social housing has not worked, and it’s time to nationalise all housing built with public funds, or housing that as been built to replace it. The attacks on our working class communities have gone too far and people must be held to account. Owen Hatherley’s defence of Studio Egret West, and the vandalism done to both the building and the community will not be forgotten.

Balfron Social Club has campaigned since 2014 to retain 50% social housing in a refurbished Balfron Tower. The current amount being offered is zero. This is not good enough. My advice for those considering purchasing or living in the all new-improved Balfron Tower, would be to familiarise yourself with High Rise by JG Ballard.

You’re going to need it.

Balfron Social Club, Poplar

3rd June 2019